Critique: Neutrino topology

Physics is not the best represented academic field on this blog, so I was pleased to get this submission from Paola Ferrario, who was kind enough to share this with readers of the blog. Click to enlarge!

I like many things about this poster.

The typography is clean.
The big central circle attracts the eye and breaks up the monotony of rectangles.
There aren’t a huge number of words.
The margins between all the elements are comfortable.
There are pictures of real objects.
Logos are mostly kept down in the inf print section.
There is a good use of bright colours to highlight headings.

I have one major problem. I know where to start reading the poster. I know where I should end up when I finish reading the poster. What I am supposed to do between those two points is completely baffling to me.

The text in that big central circle is particularly baffling. That it is set against a different shape and colour provides a visual cue that suggests it isn’t part of the main text. It looks like a “callout” that you are either supposed to read first, or that might be an aside that you can dispense with altogether.

One way that might improve the reader’s plight without restructuring the entire poster is to be explicit about what order the sections are supposed to go in. Here, I’ve added some numbered bullets to sit next to each heading. I used the eyedropper tool to match the colour. I was not sure what the typeface on the poster is, so I used sans serif numbers from Erler Dingbats

Adding the numbers the quick way I did means the headings are not centered correctly. And this may not be the exact order Paola intended, but those concerns are easily fixed if you have the original file to tinker with.

Comments

Scott McCloud’s “Big triangle” and poster design

Posters are a visual medium. But not everything is equally visual. A picture of a real object is very visual, and the best thing to have on a poster. A scatter plot is less visual. And text is the least of all. I was thinking about how I might make that point, um, visually, and I suddenly realized that I was just recreating one side of Scott McCloud ’s triangle from Understanding Comics . If you have not read Understanding Comics ... oh, how I envy you. You have that to look forward to. It is a wonderful book. Even if you are the sort who thinks, “Ugh, superheroes,” get over it, read this damn book, and have your consciousness expanded. It is an undisputed classic book. Here’s a except relevant to the matter at hand: And that’s the point I was trying to make, except McCloud did it better over twenty years ago. Received information is immediate; perceived information takes effort. This is why nobody likes posters with too much writing. It takes effort that, in a busy conference settin...

Reading gravity

Great minds think alike; fools seldom differ. I recently learned that something I’ve called “ the Cosmo principle ” on this blog is an actual thing that proper designers talk about, except they have a different name for it. They call it “reading gravity.” The picture above is sometimes called a “Gutenberg diagram.” Apparently it was given that name by newspaper designer Edmond Arnold (interviewed here , where he refers to the “Gutenberg principle”). I’m not completely sure about this; need to do some more reading. What this image calls the “primary optical area,” I’ve usually called the “sex story,” because that’s invariably what occupies that position on every cover of Cosmopolitan magazine. The “terminal area” is usually what I’ve called the “take home message.” What I find usually ends up in the lower left corner, or “weak fallow area” as its called here, are my methods section. And that’s fine, because those are usually only of interest to the afficiandos. This diagram is wort...

Critique and makeover: Landfill bacteria

Today’s contribution comes from Patric Chua, who gave me permission to post this. Click to enlarge! Patric had this to say: Better Posters has been my guide for poster designs ( Aw, thanks! - ZF ), and I've followed the many ideas for this poster. I understand that PowerPoint is not the best tool, but I hope it will suffice. The design of the poster is inspired by infographics - I did not want it to conform to the IMRAD template. Each section can be read independently and has its own method and results. However, I’m afraid that I’ve falling into the trap where I’ve placed too many information in. I also think that the poster lacks a strong entry point. The piece de resistance is probably the bottom right corner where I followed the advice on Inviting interactions post. I plan to attach cardboard boxes and place comment cards in the first box to make it easier for the audience. The amount of work that went into this is impressive. I’ve opened the file and seen just how many indiv...

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