Link roundup for October 2016

Contrast matters, and web page designers are starting to forget that. Kevin Marks delves into how grey text is becoming so prominent on the web. Marks notes something I’ve talked about before: the difference between the screen and a poster handing on a wall.

(W)hen you design in perfect settings, with big, contrast-rich monitors, you blind yourself to users. To arbitrarily throw away contrast based on a fashion that “looks good on my perfect screen in my perfectly lit office” is abdicating designers’ responsibilities to the very people for whom they are designing.

Hat tip to Robert J. Sawyer.

It’s great when you have a lab to go to a conference with. But not everyone has a lab. Here are tips for how to rock a conference solo.

An occasional reminder that if your poster hangs for several days, create opportunities for people to give feedback when you are not there:

Hat tip to Ciera Martinez.

Stephen Heard is unimpressed with most conference badges. This led me to another discussion of badge shortcomings, both of which reminded me of an older article on conference badges in American Scientist (paywalled).

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Scott McCloud’s “Big triangle” and poster design

Posters are a visual medium. But not everything is equally visual. A picture of a real object is very visual, and the best thing to have on a poster. A scatter plot is less visual. And text is the least of all. I was thinking about how I might make that point, um, visually, and I suddenly realized that I was just recreating one side of Scott McCloud ’s triangle from Understanding Comics . If you have not read Understanding Comics ... oh, how I envy you. You have that to look forward to. It is a wonderful book. Even if you are the sort who thinks, “Ugh, superheroes,” get over it, read this damn book, and have your consciousness expanded. It is an undisputed classic book. Here’s a except relevant to the matter at hand: And that’s the point I was trying to make, except McCloud did it better over twenty years ago. Received information is immediate; perceived information takes effort. This is why nobody likes posters with too much writing. It takes effort that, in a busy conference settin...

Reading gravity

Great minds think alike; fools seldom differ. I recently learned that something I’ve called “ the Cosmo principle ” on this blog is an actual thing that proper designers talk about, except they have a different name for it. They call it “reading gravity.” The picture above is sometimes called a “Gutenberg diagram.” Apparently it was given that name by newspaper designer Edmond Arnold (interviewed here , where he refers to the “Gutenberg principle”). I’m not completely sure about this; need to do some more reading. What this image calls the “primary optical area,” I’ve usually called the “sex story,” because that’s invariably what occupies that position on every cover of Cosmopolitan magazine. The “terminal area” is usually what I’ve called the “take home message.” What I find usually ends up in the lower left corner, or “weak fallow area” as its called here, are my methods section. And that’s fine, because those are usually only of interest to the afficiandos. This diagram is wort...

Critique and makeover: Landfill bacteria

Today’s contribution comes from Patric Chua, who gave me permission to post this. Click to enlarge! Patric had this to say: Better Posters has been my guide for poster designs ( Aw, thanks! - ZF ), and I've followed the many ideas for this poster. I understand that PowerPoint is not the best tool, but I hope it will suffice. The design of the poster is inspired by infographics - I did not want it to conform to the IMRAD template. Each section can be read independently and has its own method and results. However, I’m afraid that I’ve falling into the trap where I’ve placed too many information in. I also think that the poster lacks a strong entry point. The piece de resistance is probably the bottom right corner where I followed the advice on Inviting interactions post. I plan to attach cardboard boxes and place comment cards in the first box to make it easier for the audience. The amount of work that went into this is impressive. I’ve opened the file and seen just how many indiv...

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