Link roundup for August 2016

Design is about making decisions. Here’s a good look at how different decisions about the same numbers can give you dramatically different maps:

Hat tip to Justin Kiggins.

One of the problems with a long-running blog like this is that I can’t remember if I’ve linked out to this series of blog posts on data visualization before or not. I am quite certain that I have not mentioned they are all collected in an affordable ebook. And there is also this list of what students find hard about making visuals.

Someone on Quora asked what makes for an engaging scientific poster. Warning: contains me.

There was a dreadful op ed in The Guardian about being a serious academic and how social media gets in the way of that or something. Anyone who claims to be “serious” today is setting themselves up for being lampooned for self-importance. See the #SeriousAcademic hashtag on Twitter for reactions, and Emily Willingham’s riposte. Janice Geary’s reaction, though, gave me pause:

How is it that social media is controversial for the #seriousacademic, but somehow we all still make posters like they accomplish something?

Obviously, I have a horse in this race. I will argue to Janice that posters can accomplish things. My best example is how being in a poster session led to co-organizing an international symposium. I would welcome other examples! How did you get things done in a poster session?

Now, a bit of summertime fun.

If you were one of the many who dug Stranger Things on Netflix, you will be pleased to know you can tap into the power its pastiche here.

There are some limitations. It seems to stall out at five letter words for that second line. “Posters” was apparently too long for a second line. Still fun. Hat tip to Doc Becca.

Today’s demonstration of the power of proximity in design comes courtesy of this unfortunate pairing of advertisements:

Hat tip to Andrew Bloch.

Comments

You have options for numbers (PowerPoint users need not apply)

If you must have a table on your poster, look into what options you have for your numbers. Many fonts have number variants. Proportional numbers have skinny numbers (e.g., 1) and wide numbers (e.g., 0). Two numbers differ in width depending on what numbers they have. But tabular numbers are all the same width. So decimal places and dividers will line up if the numbers are lined up, as they are in a table. If you have a table, it only makes sense to use tabular numbers if you can. They are explicitly designed to make your tables more readable! But tabular numbers will only do so if you follow a couple of other good practices: Make your numbers right aligned. Use the same number of decimal places in each column. You may also find a couple of other options. numbers can be either lining numbers (all the same height) or oldstyle (with ascenders and descenders, like upper and lower-case letters). That means you have four options for many fonts. In Microsoft Office, these options are...

Scott McCloud’s “Big triangle” and poster design

Posters are a visual medium. But not everything is equally visual. A picture of a real object is very visual, and the best thing to have on a poster. A scatter plot is less visual. And text is the least of all. I was thinking about how I might make that point, um, visually, and I suddenly realized that I was just recreating one side of Scott McCloud ’s triangle from Understanding Comics . If you have not read Understanding Comics ... oh, how I envy you. You have that to look forward to. It is a wonderful book. Even if you are the sort who thinks, “Ugh, superheroes,” get over it, read this damn book, and have your consciousness expanded. It is an undisputed classic book. Here’s a except relevant to the matter at hand: And that’s the point I was trying to make, except McCloud did it better over twenty years ago. Received information is immediate; perceived information takes effort. This is why nobody likes posters with too much writing. It takes effort that, in a busy conference settin...

Critique: Lending low tech tools

Today’s poster contributor is Scott Johnson. Click to enlarge! This is a great marriage of content and form. The content is about something that is unabashedly “low tech,” so the hand-written, slightly lo-fi (okay, low tech) look is completely right here. It adds character and interest. Regular readers know that I personally am anti-underlining, and try to remove it in almost every instance I see it. But here, because it’s hand written, I can see the case for it. When people write by hand, they do underline for emphasis. I would experiment a bit with removing the underline, but I don’t know if removing the the underlines for headings and making the headinga a bit bolder would lose the look. I appreciate the purity of the monochrome greyscale, but it does wash out from a distance. I would like to see a little colour – even if subdued, and not everywhere. To keep the “low tech” look, I would suggest referencing some old photos, like daguerreotypes. They often weren’t pure shades of gr...

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