Skip to main content

Link roundup for September 2017

Best repurposing of a conference poster for the month goes to Wendy Yoder:


(For something on this Internet, this blog has not had enough cats.) Hat tip to Colin Purrington.

A collection of awesome seminar posters at University of North Carolina Chapel Hill. I may have featured these on the blog before... but there have been more since then, so it’s worth revisting.

Dan Rokhsar

Yun Tao (via Holly Bik) observed:

Our current crappy seminar posters (word doc, comic sans) trivialize the gravitas/seriousness of seminars.

Hat tip to Jenny Merritt and Dr. Becca.

Quote of the month from Benjamin Mazer:

“So you have to make a poster for the science fair? Didn’t you do that in elementary school?” – my mother, clearly not an academic.

Sparklines are mini graphs inserted into text, created by Edward Tufte. Now it’s easier than ever to create them with a special typeface. It’s called ATF Spark. Hat tip to Dr. Becca.

Typography jokes:


Hat tip to Janet Stemwedel.

If you have anxiety about attending conferences, try this post from the Where There Is Light blog:

This is a really difficult thing for anxious people, because new things are scary and we love to overthink and play out every worst-case scenario in our head beforehand. However, I know from experience that it is highly unlikely that any of these scenarios will ever become reality and what also helped me is to approach anxiety as excitement and chances for bravery.

Graphic design appears in a New Scientist feature, of all places. It’s a review of a Wellcome Collection exhibition, “Can Graphic Design Save Your Life?” The exhibition is feature on the Wellcome Collection website.

This is a tribute to the joy of using something well designed and well made. In this case, nail clippers.

This nail clipper was forged, not stamped out of cheap sheet metal. It wasn’t just forged, it was forged well, with machines without any rattles or squeaks, and probably inline measurement of temperature to keep the steel exactly hot enough. I don't know how to explain the shock of seeing such a skillfully forged nail clipper to someone not in the metalworking industry.  It was like seeing a dog with six legs, or opening up a lawnmower and seeing the jet engine from a 747. Nail clippers simply aren’t forged, nobody puts that much thought and quality into tools for trimming nails. ...

I took off my other shoe and sock, and trimmed those nails unnecessarily, just for an excuse to keep using this wonderful tool, all the while wondering “What is wrong with me? Why am I enjoying this chore of trimming my nails, when I could be out skiing?” That’s how amazing those clippers were.

Rounding out the month with this quote from Sophia Wassermann:

Posters: my favourite part of a conference cause of all the people & research you can see.

Me too, Sophia. Me too.


Comments

Popular posts from this blog

Better Posters Twitter account temporarily down

The automated Twitter feed for this blog (@Better_Posters) is currently down. I had logged in to make a few cosmetic changes to the feed. When I did, I was prompted to add a birthday, so I picked the day the blog went live. Little did I know that since this was ten years ago, it didn’t meet Twitter’s minimum age requirement of 13. This instantly got the account locked. I have put in a service ticket, and will post here when the feed is back.

Reading gravity

Great minds think alike; fools seldom differ. I recently learned that something I’ve called “ the Cosmo principle ” on this blog is an actual thing that proper designers talk about, except they have a different name for it. They call it “reading gravity.” The picture above is sometimes called a “Gutenberg diagram.” Apparently it was given that name by newspaper designer Edmond Arnold (interviewed here , where he refers to the “Gutenberg principle”). I’m not completely sure about this; need to do some more reading. What this image calls the “primary optical area,” I’ve usually called the “sex story,” because that’s invariably what occupies that position on every cover of Cosmopolitan magazine. The “terminal area” is usually what I’ve called the “take home message.” What I find usually ends up in the lower left corner, or “weak fallow area” as its called here, are my methods section. And that’s fine, because those are usually only of interest to the afficiandos. This diagram is wort...

Link roundup for October 2016

Contrast matters, and web page designers are starting to forget that . Kevin Marks delves into how grey text is becoming so prominent on the web. Marks notes something I’ve talked about before: the difference between the screen and a poster handing on a wall. (W)hen you design in perfect settings, with big, contrast-rich monitors, you blind yourself to users. To arbitrarily throw away contrast based on a fashion that “looks good on my perfect screen in my perfectly lit office” is abdicating designers’ responsibilities to the very people for whom they are designing. Hat tip to Robert J. Sawyer. It’s great when you have a lab to go to a conference with. But not everyone has a lab. Here are tips for how to rock a conference solo . An occasional reminder that if your poster hangs for several days, create opportunities for people to give feedback when you are not there: Hat tip to Ciera Martinez . Stephen Heard is unimpressed with most conference badges . This led me to another discussion o...