Skip to main content

Fighting the fade

I get emails! Yesterday, I got email asking, “How can I stop posters from fading over time?” I’ve touched on this in the blog briefly, but did a little more digging.

I remembered from working with people who supervised our departmental plotter printers was that there were different inks available for the printer. Some were billed as more fade resistant than others.

But I quickly found the situation is more complicated than that, based on this page about consumer inkjet printers. The printer manufacturer and the paper and the ink are all important variables in determining fade resistance.

To start, there are various paper types. Microporous paper is more fade resistant that cast coated paper. Matte paper holds colour longer than glossy paper, according to this page.Which, again, is a trade off. Personally, I think glossy finishes looks sharper and better than matte finishes in the short term.

Ink types also come in a few different varieties. This page divided inks into dye- and pigment-based inks (pigment being more fade-resistant, because the colour comes from solid particles). This one further subdivided inks into water- and solvent- based (solvent being more fade-resistant). The trade off is that dye-based inks are brighter and look better in the short term. And there are even more types of inks.

To make matters worse, there is controversy about how to compare the longevity of printed materials. “Archival” is an advertising term that has no particular meaning consumers can rely on.

One independent testing agency, Wilhelm Imaging Research, as been working on these issues since at least 1998. A quick visit to their website is... not a quick visit to their website. There is a lot of material on their website, and it’s not organized in such a way you can quickly dip your toe in and grab some answers. It’s clearly a deep and ongoing issue.

Even knowing all of this, however, may not be information that the average conference goer can leverage for their own use. If you print in your department, the choice of printer, paper, and ink may not be up to you. Someone else probably handles purchasing and isn’t necessarily concerned about whether someone’s poster meets archival standards or not. If you are working with a commercial printer, the options they present to their customers might be limited.

The amount of fading can be reduced if you cover the poster. You might use some sort of lamination. You could frame your poster, but that will probably cost a lot more than the poster is worth.

There is only one partial solution for fading that I know: put up your poster someplace with dim light. That's why museums and art galleries are often dimly lit. If there’s no light, there’s no fading.

I know that’s not very helpful. Curse you, physics.

Related posts

Fade out

External links

Inkjet print longevity
Wilhelm Imaging Research

Comments

Popular posts from this blog

Scott McCloud’s “Big triangle” and poster design

Posters are a visual medium. But not everything is equally visual. A picture of a real object is very visual, and the best thing to have on a poster. A scatter plot is less visual. And text is the least of all. I was thinking about how I might make that point, um, visually, and I suddenly realized that I was just recreating one side of Scott McCloud ’s triangle from Understanding Comics . If you have not read Understanding Comics ... oh, how I envy you. You have that to look forward to. It is a wonderful book. Even if you are the sort who thinks, “Ugh, superheroes,” get over it, read this damn book, and have your consciousness expanded. It is an undisputed classic book. Here’s a except relevant to the matter at hand: And that’s the point I was trying to make, except McCloud did it better over twenty years ago. Received information is immediate; perceived information takes effort. This is why nobody likes posters with too much writing. It takes effort that, in a busy conference settin...

Reading gravity

Great minds think alike; fools seldom differ. I recently learned that something I’ve called “ the Cosmo principle ” on this blog is an actual thing that proper designers talk about, except they have a different name for it. They call it “reading gravity.” The picture above is sometimes called a “Gutenberg diagram.” Apparently it was given that name by newspaper designer Edmond Arnold (interviewed here , where he refers to the “Gutenberg principle”). I’m not completely sure about this; need to do some more reading. What this image calls the “primary optical area,” I’ve usually called the “sex story,” because that’s invariably what occupies that position on every cover of Cosmopolitan magazine. The “terminal area” is usually what I’ve called the “take home message.” What I find usually ends up in the lower left corner, or “weak fallow area” as its called here, are my methods section. And that’s fine, because those are usually only of interest to the afficiandos. This diagram is wort...

It’s dangerous to go alone! Getting help from campus offices and staff

Sometimes, we academics believe that we have to do everything ourselves . We have to write, teach, research, analyze, manage, lead, critique, and design. Consequently, people are far too likely to take “do it yourself” (DIY) approach to poster design. This leads to people searching the web and grabbing crummy, low resolution images instead of figuring out better alternatives. We forget that our campuses have professionals who can help us with some tasks. It’s easy to forget because often those staffers have more contact with administration than faculty and students. For example, lots of campuses have offices and staff that can help with: Oversized printing . As the cost of plotter printers has come down, more campuses have one somewhere on that can be used for printing posters instead of sending them to professional printers and having to ship them back to campus. Graphics . Who do you think makes all those campus fliers and promotional material? These offices are sometimes in univers...