Skip to main content

Link roundup for July, 2018

Starting off this month with a “Done in one” advice article on poster design by Tullio Rossi. I disagree with a few very minor points (bullet points are not your friend), but overall very good!


Hat tip to Anna Clemens.

 • • • • •

A five tweet thread from Tolpa Studies from the recent Twitter conference, #BTCon18, about visual literacy.

 • • • • •

This guide on making graphs more readable is very good. One of the key things in this graph makeover and why it works is the designer listened to what the scientists said about it. They used the expertise to defined the graph’s “talking points”, so to speak.


Hat tip to Garr Reynolds.

 • • • • •

I recommend against tables on posters almost always. But if you must have a table, make it a nice table. This is a nice animated makeover of a table by Joey Cherderchuk from Dark Horse Analytics.


Hat tip to Catherine Crompton

 • • • • •

Picture in Portal is a course for making scientific graphics. Hat tip to B. Haas.

  • • • • •

Lauren Oldach invites us to look and contribute lab logos in this Twitter thread.

  • • • • •

Julia Jones liked this poster:


I like the simplicity, but I am not a fan of how I have to read the poster in a reverse “S” pattern.

 • • • • •

Richard McElreath shared this lo-fi poster, saying:

In a world of look-alike LaTeX conference posters, the hand-written manifesto gets my eyes every time.


Hat tip to Jarrett Byrnes.

 • • • • •

Tom Patterson describes a situation where text is preferable to graphics.

My boss recently asked me to design a symbol for Clothing Optional Beach, a challenge that I gleefully accepted. But I couldn’t come up with a clear and tasteful solution. In this case, conveying the message with text worked best. It also kept me out of trouble.

Hat tip to NeuroPolarBear.

 • • • • •

A Twitter thread about posters on screens versus posters on paper, particularly with regards to the issue of waste. Andrew Pruszynski calls screens:

Massive environmental burden for effectively no gain.

The thread is lively. Hat tip to Justin Kiggins.

 • • • • •

Another poster that appeared in my Twitter timeline, by Adam Stone. It’s an excellent pastiche of a favourite science web comic. Click to enlarge!


Hat tip to Lorna Quandt.

 • • • • •

You normally have to submit an abstract when you register for a poster. Hilda Bastian has tip for how to write a good abstract.

 • • • • •

The only good way to do 3D charts.


Hat tip to Hadley Wickham.

 • • • • •

How to make a colour palette in R. Hat tip to Flo Débarre and Meghan Duffy.

 • • • • •

I made one.


Comments

Popular posts from this blog

Scott McCloud’s “Big triangle” and poster design

Posters are a visual medium. But not everything is equally visual. A picture of a real object is very visual, and the best thing to have on a poster. A scatter plot is less visual. And text is the least of all. I was thinking about how I might make that point, um, visually, and I suddenly realized that I was just recreating one side of Scott McCloud ’s triangle from Understanding Comics . If you have not read Understanding Comics ... oh, how I envy you. You have that to look forward to. It is a wonderful book. Even if you are the sort who thinks, “Ugh, superheroes,” get over it, read this damn book, and have your consciousness expanded. It is an undisputed classic book. Here’s a except relevant to the matter at hand: And that’s the point I was trying to make, except McCloud did it better over twenty years ago. Received information is immediate; perceived information takes effort. This is why nobody likes posters with too much writing. It takes effort that, in a busy conference settin...

Reading gravity

Great minds think alike; fools seldom differ. I recently learned that something I’ve called “ the Cosmo principle ” on this blog is an actual thing that proper designers talk about, except they have a different name for it. They call it “reading gravity.” The picture above is sometimes called a “Gutenberg diagram.” Apparently it was given that name by newspaper designer Edmond Arnold (interviewed here , where he refers to the “Gutenberg principle”). I’m not completely sure about this; need to do some more reading. What this image calls the “primary optical area,” I’ve usually called the “sex story,” because that’s invariably what occupies that position on every cover of Cosmopolitan magazine. The “terminal area” is usually what I’ve called the “take home message.” What I find usually ends up in the lower left corner, or “weak fallow area” as its called here, are my methods section. And that’s fine, because those are usually only of interest to the afficiandos. This diagram is wort...

Critique: Life in the cold

Max Showalter had the worst possible poster experience. The thing we all dread. Max wrote: I recently presented this poster at a large conference and of the thousands of people walking by literally no one  stopped to look at my poster. Ignoring that could just be me (I thought I was charming!), could you provide some feedback on what aspects of the poster might be telling people “keep walking”? Ouch. I feel for you, Max. What happened? Let’s have a look at Max’s poster, which he gave at the 2017 Association for the Science of Limnology and Oceanography “Aquatic Sciences” meeting . Click to enlarge! Max’s poster is far from the worst I’ve seen. The layout is clean and the colours are attractive. Why didn’t it find an audience? As journalists say, this poster “buries the lede.” I think the issue is there is no clear entry point. For starters, the title is maybe a little small, and what it says is not helpful to me. I know what “low temperature” and “taxis” are. But I do not know ...