Skip to main content

Should we train all students in graphic design?

This blog exists to help solve a problem: that academic conference posters are ugly. But I am under no illusions that this blog is going to fix the problem. So, what would move the dial the quality of conference posters?

When faced with this kind of question, I often see people say, “We should include this in our training for students!”

As an educator, I never want to be the person to say we shouldn’t train students. I’ve done it myself, often. I support this sentiment, but I’m wary of calls for “more training,” for two reasons.

First, suggestions for “more training” make me worry about mission creep. Over time, I’ve heard that students need more training in statistics. And in writing. And in ethics. And in grantsmanship. And in social media. And diversity issues. And in dealing with media. And in public outreach. And so on.

Don’t get me wrong, these are all worthy topics where I think training would be beneficial. But there is only so much we can realistically expect to make students competent in during their time in our programs. It’s hard enough to attain competence and eventual mastery in one discipline.

Second, graphic design is a professional skill that takes years of study and practice. “Training” research students in graphic design would probably end up being a few credit hours over a multi-year program, taught by a non-professional (e.g., a research scientist in the department who is smart enough not to use Comic Sans but never took a class in design) rather than a skilled graphic designer (e.g., someone from over in an art department who does this on a daily basis). (And I say that as someone who has been asked to do those kinds of classes and workshops. I mean, I’m that guy!) I worry that calling for training could trivialize the skills needed for excellent design and become a curricular box-checking exercise.

Instead of expecting academics to become one person bands, we should try to create more access and respect for experts in other fields and be willing to use them, credit them, and pay them.

Picture from randychiu on Flickr; used under a Creative Commons license.

Comments

Popular posts from this blog

Critique: Neutrino topology

Physics is not the best represented academic field on this blog, so I was pleased to get this submission from Paola Ferrario, who was kind enough to share this with readers of the blog. Click to enlarge! I like many things about this poster. The typography is clean. The big central circle attracts the eye and breaks up the monotony of rectangles. There aren’t a huge number of words. The margins between all the elements are comfortable. There are pictures of real objects. Logos are mostly kept down in the inf print section. There is a good use of bright colours to highlight headings. I have one major problem. I know where to start reading the poster. I know where I should end up when I finish reading the poster. What I am supposed to do between those two points is completely baffling to me. The text in that big central circle is particularly baffling. That it is set against a different shape and colour provides a visual cue that suggests it isn’t part of the main text. It looks like a ...

Showing authorship on posters

More and more academic projects are collaborative . This means more contributors, and more authors to list on posters. I’ve been thinking about how long author lists might be best displayed on posters, and have a few attempts here. You can click to enlarge any picture! This might be the simplest multi-author scenario, where there are many authors, all from one institution. Many big collaborative projects involve people from different institutions, however. How can you show the affiliations of those authors? Many people emulate journals and use superscripts. This gets very complicated to read and difficult to read very quickly, however. Another approach might be to group the contributors by their institution. Let “relative contribution” or “alphabetical order” or “whatever other reason you have for deciding the order of authors” be damned. Everyone from a particular university goes together. This chews up more space, so you might be forced to use initials for the authors and cut back on...

When posters fail

When a poster fails, it’s usually because it failed early in the design process. Years ago , I showed this poster: It does not matter whether this poster does a lot of the detail work right. It does not matter how good the layout is, or how good the typography is, or whether the colour scheme is consistent and pleasing to the eye, or whether there is enough white space. None of that matters. The authors of this poster doomed it at the very beginning, when they picked a page size... and got it wrong. In my experience, there are two places where posters fail early on. On the content side, people do not edit enough . They want to include everything, rather than focusing on one thing, and the poster suffers. On the design side, people do not make a grid . They start drawing boxes without any underlying thought to structure, and treat their data like some sort of jigsaw puzzle to fit together. I was reminded of the while I was making a poster for the Student and Post-Doctoral Affairs Com...